未来，世界被划分为地上与地下两个截然不同的领域。地上世界，被誉为高贵的象征，犹如一座乐园，充满了繁荣与希望。而地下世界，也被称为缇努维尔，则充斥着混乱与无序，人们挣扎在破旧的水泥钢筋之间，艰难求生。绝望与暴力肆虐，武力统治者多姆纳尔等组织在...

未来，世界被划分为地上与地下两个截然不同的领域。地上世界，被誉为高贵的象征，犹如一座乐园，充满了繁荣与希望。而地下世界，也被称为缇努维尔，则充斥着混乱与无序，人们挣扎在破旧的水泥钢筋之间，艰难求生。绝望与暴力肆虐，武力统治者多姆纳尔等组织在...

差不多了，从这里开始吧。

差不多了，从这里开始吧。

お前との毎日が、最高のラブソング。 ライブ後の打ち上げに入った居酒屋で盛り上がるキーボードのミヤ。 トイレに席を立つと、トイレの個室から自分たちの曲が聞こえてくる…。 振り返るとそこには、便座を鍵盤に見立てて弾いている奴がいて……!? 大型ワンコ系音大生×世話焼きバンドマン、 夢と恋にゆれるバンド男子たちの今、そして――。

Western classical music has become as Chinese as Peking Opera, and it has woven its way into the hearts and lives of ordinary Chinese people. This lucidly written account traces the biographies of the bold visionaries who carried out this musical merger. Rhapsody in Red is a history of classical music in China that revolves around a common theme: how Western classical music ent...(展开全部)

Sheila Melvin lived in China from 1995 until September of 2000. She now splits her time between the US and China, with bases in Baton Rouge and Beijing. Sheila Melvin is a regular contributor to The Asian Wall Street Journal, The Wall Street Journal, The International Herald Tribune, and The New York Times. She often writes on music-related subjects, including Western classical...(展开全部)

Exotic and yet familiar, rife with passion, immorality, hunger, and freedom, Bohemia was an object of both worry and fascination to workaday Parisians in the nineteenth century. No mere revolt against middle-class society, the Bohemia Seigel discovers was richer and more complex, the stage on which modern bourgeois acted out the conflicts of their social identities, testing the...(展开全部)